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	<title>Theater und Tanz – Florian Tippe</title>
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	<link href="">https://floriantippe.de/de</link>
	<description>Musik &amp; Sound Design</description>
	<lastbuilddate>Di, 29 Apr 2025 12:37:01 +0000</lastbuilddate>
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	<url>https://floriantippe.de/wp-content/uploads/2024/01/favicon-gelb-neu.png</url>
	<title>Theater und Tanz – Florian Tippe</title>
	<link href="">https://floriantippe.de/de</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Musik zum VR-Tanzstück „a virtual dance tale“</title>
		<link href="">https://floriantippe.de/de/a-virtual-dance-tale/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Do., 27. Februar 2025 14:30:10 +0000</pubdate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Cyberräuber]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Helge Letonja]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[steptext]]></category>
		<category><![CDATA[Tanz]]></category>
		<category><![CDATA[virtual realitiy]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[zeitgenössischer Tanz]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2145</guid>

					<description><![CDATA[In collaboration with the dance company "OF Curious Nature" and the digital performing arts collective Cyberräuber, I composed the music for this virtual reality dance experience...]]></description>
										<content:encoded><![CDATA[<p>music production In collaboration with the dance company &ldquo;Of Curious Nature&rdquo; and the digital performing arts collective &ldquo;Cyberr&auml;uber&ldquo;, I composed the music for this virtual reality dance experience. It&rsquo;s all about the interweaving of real and digital bodies. We immerse ourselves in an virtual world, meet dancer avatars who combine fragments of humans and animals and tell us about origins&#8230;</p>
<p><a href="https://floriantippe.de/de/a-virtual-dance-tale/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<item>
		<title>Live-Elektronik und Bassklarinette für „Voice of Women“</title>
		<link href="">https://floriantippe.de/de/live-electronics-and-bass-clarinet-for-voice-of-women/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Di., 25. Feb. 2025 15:38:43 +0000</pubdate>
				<category><![CDATA[live performance]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[bass clarinet]]></category>
		<category><![CDATA[Eva Freitag]]></category>
		<category><![CDATA[Heads and voices]]></category>
		<category><![CDATA[Ilona Ottenbreit]]></category>
		<category><![CDATA[Judith Evers]]></category>
		<category><![CDATA[live electrronics]]></category>
		<category><![CDATA[Suraya Pakzad]]></category>
		<category><![CDATA[Voice of Women]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2703</guid>

					<description><![CDATA[Since 2022 I have performed with the performance collective "Heads and Voices", which was founded by artist Ilona Ottenbreit and actress Judith Evers. Together with women's rights activist Suraya Pakzad and cellist Eva Freitag we created a multidisciplinary performance series called "Voice Of Women".]]></description>
										<content:encoded><![CDATA[<p>sound design and live performance Since 2022 I have performed with the performance collective &ldquo;Heads and Voices&rdquo;, which was founded by artist Ilona Ottenbreit and actress Judith Evers. Together with women&rsquo;s rights activist Suraya Pakzad and cellist Eva Freitag we created a multidisciplinary performance series called &ldquo;Voice Of Women&rdquo;. The goal is to raise awarness for women&rsquo;s rights activists all&#8230;</p>
<p><a href="https://floriantippe.de/de/live-electronics-and-bass-clarinet-for-voice-of-women/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musik zum Tanzstück „encoding decoding“</title>
		<link href="">https://floriantippe.de/de/music-for-dance-piece-encoding-decoding/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>So., 23. Feb. 2025 14:17:53 +0000</pubdate>
				<category><![CDATA[live performance]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[Musik]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2049</guid>

					<description><![CDATA[It was wonderful to work with Ziv Frenkel on this dance piece. The music only consists of some singing and the sounds of the dancer’s footsteps, which are recorded, edited and processed live during the performance.]]></description>
										<content:encoded><![CDATA[<p>Live performance It was a wonderful experience to collaborate with Ziv Frenkel on the contemporary dance piece &rdquo; encoding decoding&rdquo;. Due to the Covid 19 pandemic our performances were postponed, which gave us much more time than usual to meticulously work out the interaction between music and dance. The music only consists of some singing and the sounds of the dancer&rsquo;s footsteps&#8230;</p>
<p><a href="https://floriantippe.de/de/music-for-dance-piece-encoding-decoding/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musik zum VR-Tanzstück „Digital Motions“</title>
		<link href="">https://floriantippe.de/de/music-for-vr-dance-piece-digital-motions/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Fr, 21. Februar 2025 14:59:38 +0000</pubdate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Cyberräuber]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Helge Letonja]]></category>
		<category><![CDATA[of curious nature]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[Tanz]]></category>
		<category><![CDATA[virtual realitiy]]></category>
		<category><![CDATA[VR]]></category>
		<category><![CDATA[zeitgenössischer Tanz]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2150</guid>

					<description><![CDATA[I composed the music for this piece transferring the original Preludes by Chopin into electronic soundscapes.]]></description>
										<content:encoded><![CDATA[<p>music production This virtal reality dance experience was produced by the dance company &ldquo;Of Curious Nature&rdquo; in collaboration with the digital performing arts collective Cyberr&auml;uber. Human dancers where filmed with a 3d camera and their body movements transferred to a digital virtual reality. With the help of VR glasses, the audience enters this virtual dance space, meets the avatars of the dancers&#8230;</p>
<p><a href="https://floriantippe.de/de/music-for-vr-dance-piece-digital-motions/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<item>
		<title>Sounddesign und Live-Performance für „The mark on the wall“</title>
		<link href="">https://floriantippe.de/de/sound-design-and-live-performance-for-the-mark-on-the-wall/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Do., 20. Feb. 2025 13:31:06 +0000</pubdate>
				<category><![CDATA[live performance]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[music theatre]]></category>
		<category><![CDATA[Musiktheater]]></category>
		<category><![CDATA[Stepha Schweiger]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2186</guid>

					<description><![CDATA[The soundscapes that I created in collaboration with Stepha Schweiger are played live from a laptop and the laptop becomes a part of the otherwise acoustic orchestra.]]></description>
										<content:encoded><![CDATA[<p>sound design and live performance The interdisciplinary music theatre &ldquo;The Mark on the Wall&rdquo;, composed by Stepha Schweiger is based on Virginia Woolf&rsquo;s short story of the same name. The soundscapes that I created in collaboration with Stepha are played live from a laptop and the laptop becomes a part of the acoustic orchestra. video: Stepha Schweiger / Caroline Brandl / Anjara Amos more projects&#8230;</p>
<p><a href="https://floriantippe.de/de/sound-design-and-live-performance-for-the-mark-on-the-wall/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Komposition und Arrangement für das Tanzstück „Geschichten“</title>
		<link href="">https://floriantippe.de/de/composition-and-arrangement-for-the-dance-piece-geschichten/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Di., 18. Feb. 2025 14:33:52 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Arrangement]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[music editing]]></category>
		<category><![CDATA[Simone Sandroni]]></category>
		<category><![CDATA[sound design]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2054</guid>

					<description><![CDATA[My work for Simone Sandroni’s piece “Geschichten die ich nie erzählte” at Theater Bielefeld combined composition , sound design, arrangement and music editing.]]></description>
										<content:encoded><![CDATA[<p>music production My work for Simone Sandroni&rsquo;s piece &ldquo;Geschichten die ich nie erz&auml;hlte&rdquo; at Theater Bielefeld combined composition , sound design, arrangement and music editing. Apart from composing original music, I had to subtly rearrange and edit existing music. Simone created extremely personal and intimate but also entertaining piece of contemporary dance. Photo: Theater Bielefeld more&#8230;</p>
<p><a href="https://floriantippe.de/de/composition-and-arrangement-for-the-dance-piece-geschichten/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<title>Sounddesign für „Volk unter Verdacht“ von Ulrike Ruf</title>
		<link href="">https://floriantippe.de/de/sound-design-for-volk-unter-verdacht-by-ulrike-ruf/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Mo., 17. Feb. 2025 13:18:13 +0000</pubdate>
				<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Dokumente]]></category>
		<category><![CDATA[Iris ter Schiphorst]]></category>
		<category><![CDATA[live operformance]]></category>
		<category><![CDATA[music theatre]]></category>
		<category><![CDATA[Musiktheater]]></category>
		<category><![CDATA[Stasi]]></category>
		<category><![CDATA[Ulrike Ruf]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2183</guid>

					<description><![CDATA[I was able to use original recordings from the archives of the Federal Commissioner for the Stasi Records (BStU) for this documentary music theater piece by director Ulrike Ruf and composer Iris ter Schiphorst.]]></description>
										<content:encoded><![CDATA[<p>sound design I was able to use original recordings from the archives of the Federal Commissioner for the Stasi Records (BStU) for this documentary music theater piece by director Ulrike Ruf and composer Iris ter Schiphorst. Apart from editing and processing the recordings, I was responsible for the live performance of the sounds. It was premiered at Radialsystem Berlin with the well known choir&#8230;</p>
<p><a href="https://floriantippe.de/de/sound-design-for-volk-unter-verdacht-by-ulrike-ruf/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musik zum Tanzstück „Boxom“</title>
		<link href="">https://floriantippe.de/de/music-for-the-dance-piece-boxom/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>So., 16. Feb. 2025 12:06:47 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[Musik]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2016</guid>

					<description><![CDATA[In collaboration with the well-known singer Y’akoto, I composed the music for this great dance theatre piece by Helge Letonja. Bringing together dancers from Africa and Europe the piece deals with West-African realities and gazes from there to Europe and back]]></description>
										<content:encoded><![CDATA[<p>music production In collaboration with the well&#x2d;known singer Y&rsquo;akoto, I composed the music for this great dance theatre piece by Helge Letonja. Bringing together dancers from Africa and Europe, the piece deals with West&#x2d;African realities and gazes from there to Europe and back. It merges different perspectives and dance languages and combines dance, live vocals and live music mixing.</p>
<p><a href="https://floriantippe.de/de/music-for-the-dance-piece-boxom/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<title>Musik zu „Be sombody else“ Teil 2</title>
		<link href="">https://floriantippe.de/de/music-for-be-sombody-else-part-2/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Sa, 15. Februar 2025 21:10:50 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Isabel Mohn]]></category>
		<category><![CDATA[music]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2071</guid>

					<description><![CDATA[The second part of Isabel Mohn’s piece “Be sombody else” premiered at the Théâtre Prospero in Montreal, Quebec. The music I composed constantly shifts between sounds, noise and music.]]></description>
										<content:encoded><![CDATA[<p>music production The second part of Isabel Mohn&rsquo;s piece &ldquo;Be sombody else&rdquo; premiered at the Th&eacute;&acirc;tre Prospero in Montreal, Quebec. The music I composed constantly shifts between sounds, noise and music. For example, I used a recording of sombody breathing and gradually filtered a melody with four&#x2d;part harmonization out of it using solely an equalizer. Or the other way round: I gradually filtered all&#8230;</p>
<p><a href="https://floriantippe.de/de/music-for-be-sombody-else-part-2/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Kafkas "Das Schloss" am Deutschen Theater Berlin</title>
		<link href="">https://floriantippe.de/de/kafkas-the-castle-at-deutsches-theater-berlin/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Di, 11 Feb 2025 21:33:49 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Arrangement]]></category>
		<category><![CDATA[castle]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[Chor]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Deutsches Theater]]></category>
		<category><![CDATA[jens Hillje]]></category>
		<category><![CDATA[Kafka]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[Nurkan Erpulat]]></category>
		<category><![CDATA[Ruhrtriennale]]></category>
		<category><![CDATA[Schloss]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[soundesign]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Tobias Schwenke]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2081</guid>

					<description><![CDATA[It was hard work for everyone to stage Kafka’s novel “The castle” by director Nurkan Erpulat. The music consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece and songs by "The Doors", sung live by a children’s choir.]]></description>
										<content:encoded><![CDATA[<p>music production It was hard work for everyone to stage Kafka&rsquo;s novel &ldquo;The castle&rdquo; ; for director Nurkan Erpulatand his advisor Jens Hillje, the fantastic actors including Moritz Grove, Sesede Terziyan and Katharina Matz, as well as my composer&#x2d;collegue Tobias Schwenke and me. The music is twofold and consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece&#8230;</p>
<p><a href="https://floriantippe.de/de/kafkas-the-castle-at-deutsches-theater-berlin/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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