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	<title>Sounddesign – Florian Tippe</title>
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	<link href="">https://floriantippe.de/de</link>
	<description>Musik &amp; Sound Design</description>
	<lastbuilddate>Di, 13. Mai 2025 12:14:59 +0000</lastbuilddate>
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	<title>Sounddesign – Florian Tippe</title>
	<link href="">https://floriantippe.de/de</link>
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	<item>
		<title>Sounddesign für Kunstinstallation</title>
		<link href="">https://floriantippe.de/de/sound-design-for-art-installation/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Sa, 22. Februar 2025 14:23:59 +0000</pubdate>
				<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art installation]]></category>
		<category><![CDATA[Kunst]]></category>
		<category><![CDATA[Kunstinstallation]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2051</guid>

					<description><![CDATA[It was great fun to work with James Nizam for his art installation “Celestial Telegraphies” at Reiter Gallery in Berlin. It was all about transforming light into sound and sound into light.]]></description>
										<content:encoded><![CDATA[<p>sound design It was great fun to work with James Nizam for his art installation &ldquo;Celestial Telegraphies&rdquo; at Reiter Gallery in Berlin. The challenge was to find a way to transform his photos of the night sky into sound. This sound was then transformed back into light and travelled through the exhibition room via laser. The laser was then transformed back into sound and sent to a loudspeaker.</p>
<p><a href="https://floriantippe.de/de/sound-design-for-art-installation/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<item>
		<title>Sound Design, Foley und Sound Mixing für Dokumentarfilm von Ayse Polat</title>
		<link href="">https://floriantippe.de/de/sound-design-foley-and-sound-mixing-for-documentary-by-ayse-polat/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Do., 20. Februar 2025 15:26:30 +0000</pubdate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[Ayse Polat]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Foley]]></category>
		<category><![CDATA[sound mixing]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2153</guid>

					<description><![CDATA[I was happy to do audio restauration, foley and sound mixing for Ayse Polat's great documentary film "The Others". ]]></description>
										<content:encoded><![CDATA[<p>Sound design I was happy to do audio restauration, foley and sound mixing for Ayse Polat&rsquo;s great documentary film &ldquo;The Others&rdquo;. The film is set in Van, the historical home of the Armenians until 1915&ndash;the year of their deportation and murder. Nowadays, all that remains are the ruins of churches and a small number of inhabitants with Armenian roots, though most of them are scared to admit it.</p>
<p><a href="https://floriantippe.de/de/sound-design-foley-and-sound-mixing-for-documentary-by-ayse-polat/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Foley und Sounddesign für Videokunst</title>
		<link href="">https://floriantippe.de/de/foley-and-sounddesign-for-video-art/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Sa, 15. Februar 2025 10:59:44 +0000</pubdate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[Foley]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[Sven Windszus]]></category>
		<guid ispermalink="false">https://floriantippe.de/?p=3140</guid>

					<description><![CDATA[The protagonist of the 3D animation “Pure White” by video artist Sven Windszus is an anatomy model who awakens in a seemingly perfect, completely sterile world... I was responsible for foley and sound design.]]></description>
										<content:encoded><![CDATA[<p>sound design / Foley The protagonist of the 3D animation &ldquo;Pure White&rdquo; by video artist Sven Windszus is an anatomy model who awakens in a seemingly perfect, completely sterile world&hellip; I was responsible for foley and sound design. video/ photo: Sven Windszus music: Bartosz Dziadosz (Pleq) more projects&#8230;</p>
<p><a href="https://floriantippe.de/de/foley-and-sounddesign-for-video-art/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Tonbearbeitung für Nevin Aladags „Session“</title>
		<link href="">https://floriantippe.de/de/sound-editing-for-nevin-aladags-session/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Fr, 14. Februar 2025 21:25:33 +0000</pubdate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art installation]]></category>
		<category><![CDATA[Nevin Aladag]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[video installation]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2077</guid>

					<description><![CDATA[It was great fun to do the sound editing for Nevin Aladag’s latest work “Session”. It’s a 3 channel video installation featuring traditional arabic musical instruments. They are “played” by desert wind, waves, sand, dripping water and the wind blast on a motor bike. ]]></description>
										<content:encoded><![CDATA[<p>sound design It was great fun to do the sound editing for Nevin Aladag&rsquo;s latest work &ldquo;Session&rdquo;. It&rsquo;s a 3 channel video installation featuring traditional arabic musical instruments. They are &ldquo;played&rdquo; by desert wind, waves, sand, dripping water and the wind blast on a motor bike. Mixed and edited, the instruments form a band!</p>
<p><a href="https://floriantippe.de/de/sound-editing-for-nevin-aladags-session/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Tonbearbeitung und Tonmischung für Dokumentarfilme</title>
		<link href="">https://floriantippe.de/de/sound-editing-and-sound-mixing-for-documentary/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Do., 13. Feb. 2025 21:19:16 +0000</pubdate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Dokumentarfilm]]></category>
		<category><![CDATA[Moritz Siebert]]></category>
		<category><![CDATA[post production]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound editing]]></category>
		<category><![CDATA[sound mixing]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2073</guid>

					<description><![CDATA[Moritz Siebert’s wonderful documentary film “Erntehelfer” is about Cyriac, an Indian catholic priest who serves in a tiny Bavarian village. I was happy to contribute to this film by doing audio repair, sound editing, sound design and sound mixing.]]></description>
										<content:encoded><![CDATA[<p>sound design Moritz Siebert&rsquo;s wonderful documentary film &ldquo;Erntehelfer&rdquo; is about Cyriac, an Indian catholic priest who serves in a tiny Bavarian village. Moritz followed Cyriac and the people in the village for more than a year and managed to get really close to their every&#x2d;day life. The intimacy and authenticity of his film was partly made possible by him filming and recording audio single&#8230;</p>
<p><a href="https://floriantippe.de/de/sound-editing-and-sound-mixing-for-documentary/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Musik- und Sounddesign für „Consuming Me“</title>
		<link href="">https://floriantippe.de/de/music-and-sound-design-for-consuming-me/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Mi, 12. Feb. 2025 21:22:34 +0000</pubdate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[Filmmusik]]></category>
		<category><![CDATA[Kai Stänicke]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2075</guid>

					<description><![CDATA[This short film by Kai Stänicke was a great opportunity for me to combine and fuse sound design, composition and music production.]]></description>
										<content:encoded><![CDATA[<p>music production This is my second collaboration with film director Kai St&auml;nicke. Working with Kai is always fun and rewarding because of his fine sense for musical subtleties. This short film was also a great opportunity for me to combine and fuse sound design, composition and music production. Photo / Video: Kai St&auml;nicke more projects&#8230;</p>
<p><a href="https://floriantippe.de/de/music-and-sound-design-for-consuming-me/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
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		<item>
		<title>Kafkas "Das Schloss" am Deutschen Theater Berlin</title>
		<link href="">https://floriantippe.de/de/kafkas-the-castle-at-deutsches-theater-berlin/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Di, 11 Feb 2025 21:33:49 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Arrangement]]></category>
		<category><![CDATA[castle]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[Chor]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Deutsches Theater]]></category>
		<category><![CDATA[jens Hillje]]></category>
		<category><![CDATA[Kafka]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[Nurkan Erpulat]]></category>
		<category><![CDATA[Ruhrtriennale]]></category>
		<category><![CDATA[Schloss]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[soundesign]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Tobias Schwenke]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2081</guid>

					<description><![CDATA[It was hard work for everyone to stage Kafka’s novel “The castle” by director Nurkan Erpulat. The music consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece and songs by "The Doors", sung live by a children’s choir.]]></description>
										<content:encoded><![CDATA[<p>music production It was hard work for everyone to stage Kafka&rsquo;s novel &ldquo;The castle&rdquo; ; for director Nurkan Erpulatand his advisor Jens Hillje, the fantastic actors including Moritz Grove, Sesede Terziyan and Katharina Matz, as well as my composer&#x2d;collegue Tobias Schwenke and me. The music is twofold and consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece&#8230;</p>
<p><a href="https://floriantippe.de/de/kafkas-the-castle-at-deutsches-theater-berlin/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
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		<title>Sound Design für „Cold Star“</title>
		<link href="">https://floriantippe.de/de/sound-design-for-cold-star/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Mo., 10. Feb. 2025 21:45:46 +0000</pubdate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[Cold Star]]></category>
		<category><![CDATA[Kai Stänicke]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound mixing]]></category>
		<category><![CDATA[sound scapes]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2085</guid>

					<description><![CDATA[How to turn a swimming pool scene into a surreal, dream-like episode? Use sound design, slow-motion and editing as Kai Stänickes does in his music clip “Cold Star”.]]></description>
										<content:encoded><![CDATA[<p>sound design How to turn a swimming pool scene into a surreal, dream&#x2d;like episode? Use sound design, slow&#x2d;motion and editing as Kai St&auml;nickes does in his music clip &ldquo;Cold Star&rdquo;. The film won the Public Choice Award &ldquo;Made in Germany&rdquo; of the &ldquo;Lesbisch Schwule Filmtage Hamburg&rdquo; and was awarded the &ldquo;Pr&auml;dikat:besonders wertvoll&rdquo;. Photo/Video: Kai St&auml;nicke more projects&#8230;</p>
<p><a href="https://floriantippe.de/de/sound-design-for-cold-star/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
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		<title>Musik und Ton für „Je suis tombé sur tois“</title>
		<link href="">https://floriantippe.de/de/music-and-sound-for-je-suis-tombe-sur-tois/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Sa., 08. Feb. 2025 21:49:53 +0000</pubdate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[elektronische Musik]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[live electronics]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sound scapes]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[Tanztheater]]></category>
		<category><![CDATA[zeitgenössischer Tanz]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2087</guid>

					<description><![CDATA[The dance theatre piece “je suis tombé sur tois” by choreographer Helge Letonja  toured serveral European cities including Paris, Bremen, Prague and Brno. Throughout the piece my soundtrack shifts beween music and sound. The music seems to emerge from soundscapes and dissolves back into them.]]></description>
										<content:encoded><![CDATA[<p>music production The dance theatre piece &ldquo;je suis tomb&eacute; sur tois&rdquo; by choreographer Helge Letonja was produced for the festivals &ldquo;KoresponDance Europe&rdquo; and &ldquo;Norddeutsches Tanztreffen&rdquo;. It premiered at &ldquo;Neues Schauspielhaus Bremen&rdquo; and was performed at the &ldquo;Nu Dance&rdquo; festival in Bratislava. It toured serveral European cities including Paris, Bremen, Prague and Brno. Throughout the piece my&#8230;</p>
<p><a href="https://floriantippe.de/de/music-and-sound-for-je-suis-tombe-sur-tois/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
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		<title>Musik, Sound Design, Foley und Sound Mixing für den Film „Haircut“</title>
		<link href="">https://floriantippe.de/de/music-sound-design-foley-and-sound-mixing-for-the-film-haircut/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubdate>Do., 06. Feb. 2025 22:54:37 +0000</pubdate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[ADR]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[Filmmusik]]></category>
		<category><![CDATA[Foley]]></category>
		<category><![CDATA[Gillian Wood]]></category>
		<category><![CDATA[haircut]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[scoring]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound mixing]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[Tonmischung]]></category>
		<category><![CDATA[Trickfilm]]></category>
		<category><![CDATA[Zeichentrickfilm]]></category>
		<guid ispermalink="false">http://test.floriantippe.de/?p=2116</guid>

					<description><![CDATA[It took Gillian Wood more than 4 years to complete this meticulously animated short film about a girl and her hair that is chasing her. This was by far my longest job as well. ]]></description>
										<content:encoded><![CDATA[<p>sound design It took Gillian Wood more than 4 years to complete this meticulously animated short film about a girl and her hair that is chasing her. This was by far my longest job as well. I cleaned the location sound, recorded the ADR, recorded and produced the foley sounds, created the sound design and composed the music and learned a lot &hellip; The film can be watched here. Photo: Gillian Wood&#8230;</p>
<p><a href="https://floriantippe.de/de/music-sound-design-foley-and-sound-mixing-for-the-film-haircut/" rel="nofollow">Quelle</a></p>]]></content:encoded>
					
		
		
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