<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>composition &#8211; Florian Tippe</title>
	<atom:link href="https://floriantippe.de/en/tag/composition/feed/" rel="self" type="application/rss+xml" />
	<link>https://floriantippe.de/en</link>
	<description>music &#38; sound design</description>
	<lastBuildDate>Tue, 29 Apr 2025 13:04:38 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.8.3</generator>

<image>
	<url>https://floriantippe.de/wp-content/uploads/2024/01/favicon-gelb-neu.png</url>
	<title>composition &#8211; Florian Tippe</title>
	<link>https://floriantippe.de/en</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>music for dance piece &#8220;encoding decoding&#8221;</title>
		<link>https://floriantippe.de/en/music-for-dance-piece-encoding-decoding/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Sun, 23 Feb 2025 14:17:53 +0000</pubDate>
				<category><![CDATA[live performance]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[Musik]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2049</guid>

					<description><![CDATA[It was wonderful to work with Ziv Frenkel on this dance piece. The music only consists of some singing and the sounds of the dancer’s footsteps, which are recorded, edited and processed live during the performance.]]></description>
										<content:encoded><![CDATA[<p>Live performance It was a wonderful experience to collaborate with Ziv Frenkel on the contemporary dance piece &rdquo; encoding decoding&rdquo;. Due to the Covid 19 pandemic our performances were postponed, which gave us much more time than usual to meticulously work out the interaction between music and dance. The music only consists of some singing and the sounds of the dancer&rsquo;s footsteps&#8230;</p>
<p><a href="https://floriantippe.de/en/music-for-dance-piece-encoding-decoding/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>composition and arrangement for the dance piece &#8220;Geschichten&#8221;</title>
		<link>https://floriantippe.de/en/composition-and-arrangement-for-the-dance-piece-geschichten/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Tue, 18 Feb 2025 14:33:52 +0000</pubDate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Arrangement]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[music editing]]></category>
		<category><![CDATA[Simone Sandroni]]></category>
		<category><![CDATA[sound design]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2054</guid>

					<description><![CDATA[My work for Simone Sandroni’s piece “Geschichten die ich nie erzählte” at Theater Bielefeld combined composition , sound design, arrangement and music editing.]]></description>
										<content:encoded><![CDATA[<p>music production My work for Simone Sandroni&rsquo;s piece &ldquo;Geschichten die ich nie erz&auml;hlte&rdquo; at Theater Bielefeld combined composition , sound design, arrangement and music editing. Apart from composing original music, I had to subtly rearrange and edit existing music. Simone created extremely personal and intimate but also entertaining piece of contemporary dance. Photo: Theater Bielefeld more&#8230;</p>
<p><a href="https://floriantippe.de/en/composition-and-arrangement-for-the-dance-piece-geschichten/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		<enclosure url="https://floriantippe.de/wp-content/uploads/2025/03/crazy_barre.wav" length="53016888" type="audio/wav" />

			</item>
		<item>
		<title>music and sound design for „B.“</title>
		<link>https://floriantippe.de/en/music-and-sound-design-for-b/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Mon, 17 Feb 2025 14:42:32 +0000</pubDate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[Foley]]></category>
		<category><![CDATA[Kai Stänicke]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2058</guid>

					<description><![CDATA[I was was very happy to compose music and produce sound design for Kai Stänicke’s first animation film B. The film was shot using handcrafted Barbie puppets, but isn’t as nice and superficial as the original dolls. In fact, it slowly turns into a nightmare…]]></description>
										<content:encoded><![CDATA[<p>music production and Sound design I was was very happy to compose music and produce sound design for Kai St&auml;nicke&rsquo;s first animation film B. The film was shot using handcrafted Barbie puppets, but isn&rsquo;t as nice and superficial as the original dolls. In fact, it slowly turns into a nightmare&hellip; It was premiered at the Hofer Filmtage. Photo: Aug und Ohr Medien more projects&#8230;</p>
<p><a href="https://floriantippe.de/en/music-and-sound-design-for-b/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		<enclosure url="https://floriantippe.de/wp-content/uploads/2025/02/B.Hochzeit.wav" length="14342872" type="audio/wav" />

			</item>
		<item>
		<title>music for the dance piece &#8220;Boxom&#8221;</title>
		<link>https://floriantippe.de/en/music-for-the-dance-piece-boxom/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Sun, 16 Feb 2025 12:06:47 +0000</pubDate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[Musik]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2016</guid>

					<description><![CDATA[In collaboration with the well-known singer Y’akoto, I composed the music for this great dance theatre piece by Helge Letonja. Bringing together dancers from Africa and Europe the piece deals with West-African realities and gazes from there to Europe and back]]></description>
										<content:encoded><![CDATA[<p>music production In collaboration with the well&#x2d;known singer Y&rsquo;akoto, I composed the music for this great dance theatre piece by Helge Letonja. Bringing together dancers from Africa and Europe, the piece deals with West&#x2d;African realities and gazes from there to Europe and back. It merges different perspectives and dance languages and combines dance, live vocals and live music mixing.</p>
<p><a href="https://floriantippe.de/en/music-for-the-dance-piece-boxom/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		<enclosure url="https://floriantippe.de/wp-content/uploads/2025/03/boxom-dance.wav" length="72944520" type="audio/wav" />

			</item>
		<item>
		<title>Music for “Be sombody else” part 2</title>
		<link>https://floriantippe.de/en/music-for-be-sombody-else-part-2/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Sat, 15 Feb 2025 21:10:50 +0000</pubDate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Isabel Mohn]]></category>
		<category><![CDATA[music]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2071</guid>

					<description><![CDATA[The second part of Isabel Mohn’s piece “Be sombody else” premiered at the Théâtre Prospero in Montreal, Quebec. The music I composed constantly shifts between sounds, noise and music.]]></description>
										<content:encoded><![CDATA[<p>music production The second part of Isabel Mohn&rsquo;s piece &ldquo;Be sombody else&rdquo; premiered at the Th&eacute;&acirc;tre Prospero in Montreal, Quebec. The music I composed constantly shifts between sounds, noise and music. For example, I used a recording of sombody breathing and gradually filtered a melody with four&#x2d;part harmonization out of it using solely an equalizer. Or the other way round: I gradually filtered all&#8230;</p>
<p><a href="https://floriantippe.de/en/music-for-be-sombody-else-part-2/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Music and sound design for “Consuming Me”</title>
		<link>https://floriantippe.de/en/music-and-sound-design-for-consuming-me/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Wed, 12 Feb 2025 21:22:34 +0000</pubDate>
				<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[Filmmusik]]></category>
		<category><![CDATA[Kai Stänicke]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2075</guid>

					<description><![CDATA[This short film by Kai Stänicke was a great opportunity for me to combine and fuse sound design, composition and music production.]]></description>
										<content:encoded><![CDATA[<p>music production This is my second collaboration with film director Kai St&auml;nicke. Working with Kai is always fun and rewarding because of his fine sense for musical subtleties. This short film was also a great opportunity for me to combine and fuse sound design, composition and music production. Photo / Video: Kai St&auml;nicke more projects&#8230;</p>
<p><a href="https://floriantippe.de/en/music-and-sound-design-for-consuming-me/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Kafka’s “The Castle” at Deutsches Theater Berlin</title>
		<link>https://floriantippe.de/en/kafkas-the-castle-at-deutsches-theater-berlin/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Tue, 11 Feb 2025 21:33:49 +0000</pubDate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[Arrangement]]></category>
		<category><![CDATA[castle]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[Chor]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Deutsches Theater]]></category>
		<category><![CDATA[jens Hillje]]></category>
		<category><![CDATA[Kafka]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[Nurkan Erpulat]]></category>
		<category><![CDATA[Ruhrtriennale]]></category>
		<category><![CDATA[Schloss]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[soundesign]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Tobias Schwenke]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2081</guid>

					<description><![CDATA[It was hard work for everyone to stage Kafka’s novel “The castle” by director Nurkan Erpulat. The music consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece and songs by "The Doors", sung live by a children’s choir.]]></description>
										<content:encoded><![CDATA[<p>music production It was hard work for everyone to stage Kafka&rsquo;s novel &ldquo;The castle&rdquo; ; for director Nurkan Erpulatand his advisor Jens Hillje, the fantastic actors including Moritz Grove, Sesede Terziyan and Katharina Matz, as well as my composer&#x2d;collegue Tobias Schwenke and me. The music is twofold and consists of dark soundscapes that capture the disturbing and oppressive atmosphere of the piece&#8230;</p>
<p><a href="https://floriantippe.de/en/kafkas-the-castle-at-deutsches-theater-berlin/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		<enclosure url="https://floriantippe.de/en/wp-content/uploads/2025/03/Schloss.wav" length="35520300" type="audio/wav" />

			</item>
		<item>
		<title>Music for the dance piece “Be Sombody Else”</title>
		<link>https://floriantippe.de/en/music-for-the-dance-piece-be-sombody-else/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Mon, 10 Feb 2025 21:27:53 +0000</pubDate>
				<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[be sombody else]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance theatre]]></category>
		<category><![CDATA[Isabel Mohn]]></category>
		<category><![CDATA[music]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2079</guid>

					<description><![CDATA[It was so much fun to play cello, tuba and e-guitar for the music I composed for Isabel Mohn’s contemporary dance piece “Be sombody Else”.]]></description>
										<content:encoded><![CDATA[<p>music production It was so much fun to play cello, tuba and e&#x2d;guitar for the music I composed for Isabel Mohn&rsquo;s contemporary dance piece &ldquo;Be sombody Else&rdquo;. The piece was premiered at &ldquo;Quartiers Danses&rdquo; in Montreal, Canada. Photos: Isabel Mohn more projects&#8230;</p>
<p><a href="https://floriantippe.de/en/music-for-the-dance-piece-be-sombody-else/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Sound design for “Sorori”</title>
		<link>https://floriantippe.de/en/sound-design-for-sorori/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Sun, 09 Feb 2025 21:43:10 +0000</pubDate>
				<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[theatre and dance]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[music theatre]]></category>
		<category><![CDATA[sound design Ulrike Ruf]]></category>
		<category><![CDATA[sound installation]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2083</guid>

					<description><![CDATA[The work for Ulrike Ruf’s experimental music theatre piece “Sorori” was probably my most intense collaboration so far. Based solely on the diary entries and the multimedia estate of a young girl who committed suicide, the piece portrays her coming-of-age during the early post-reunification time in Berlin.]]></description>
										<content:encoded><![CDATA[<p>sound design The work for Ulrike Ruf&rsquo;s experimental music theatre piece &ldquo;Sorori&rdquo; was probably my most intense collaboration so far. Based solely on the diary entries and the multimedia estate of a young girl who committed suicide, the piece portrays her coming&#x2d;of&#x2d;age during the early post&#x2d;reunification time in Berlin. Working together with a composer, a video artist and a set designer&#8230;</p>
<p><a href="https://floriantippe.de/en/sound-design-for-sorori/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>music, sound design, foley and sound mixing for the film “Haircut”</title>
		<link>https://floriantippe.de/en/music-sound-design-foley-and-sound-mixing-for-the-film-haircut/</link>
		
		<dc:creator><![CDATA[Flotip]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 22:54:37 +0000</pubDate>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[music production]]></category>
		<category><![CDATA[some of my work]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[ADR]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film music]]></category>
		<category><![CDATA[Filmmusik]]></category>
		<category><![CDATA[Foley]]></category>
		<category><![CDATA[Gillian Wood]]></category>
		<category><![CDATA[haircut]]></category>
		<category><![CDATA[Komposition]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musik]]></category>
		<category><![CDATA[scoring]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound mixing]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[Tonmischung]]></category>
		<category><![CDATA[Trickfilm]]></category>
		<category><![CDATA[Zeichentrickfilm]]></category>
		<guid isPermaLink="false">http://test.floriantippe.de/?p=2116</guid>

					<description><![CDATA[It took Gillian Wood more than 4 years to complete this meticulously animated short film about a girl and her hair that is chasing her. This was by far my longest job as well. ]]></description>
										<content:encoded><![CDATA[<p>sound design It took Gillian Wood more than 4 years to complete this meticulously animated short film about a girl and her hair that is chasing her. This was by far my longest job as well. I cleaned the location sound, recorded the ADR, recorded and produced the foley sounds, created the sound design and composed the music and learned a lot &hellip; The film can be watched here. Photo: Gillian Wood&#8230;</p>
<p><a href="https://floriantippe.de/en/music-sound-design-foley-and-sound-mixing-for-the-film-haircut/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
