{"id":2153,"date":"2025-02-20T16:26:30","date_gmt":"2025-02-20T15:26:30","guid":{"rendered":"http:\/\/test.floriantippe.de\/?p=2153"},"modified":"2025-05-13T14:14:59","modified_gmt":"2025-05-13T12:14:59","slug":"sound-design-foley-and-sound-mixing-for-documentary-by-ayse-polat","status":"publish","type":"post","link":"https:\/\/floriantippe.de\/en\/sound-design-foley-and-sound-mixing-for-documentary-by-ayse-polat\/","title":{"rendered":"Sound design, foley and sound mixing for documentary by Ayse Polat"},"content":{"rendered":"\n
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\"The<\/figure><\/div>\n\n\n\n
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Sound design<\/p>

Sound design, foley and sound mixing for “The others” by Ayse Polat<\/h2><\/div>

I was happy to do audio restauration, foley and sound mixing for Ayse Polat’s great documentary film “The Others”. The film is set in Van, the historical home of the Armenians until 1915\u2013the year of their deportation and murder. Nowadays, all that remains are the ruins of churches and a small number of inhabitants with Armenian roots, though most of them are scared to admit it. 34-year-old Ali speaks openly about his Armenian grandmother Piroze. His uncle talks of \u2018the others\u00b4 when he refers to his own mother, despite carrying her passport photo wherever he goes.

Photo: PunktPunktPunkt Filmproduktion<\/a><\/em>

<\/p>

more projects<\/span><\/a><\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

I was happy to do audio restauration, foley and sound mixing for Ayse Polat’s great documentary film “The Others”. <\/p>\n","protected":false},"author":1,"featured_media":2154,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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was happy to do audio restauration, foley and sound mixing for Ayse Polat's great documentary film \"The Others\".","_links":{"self":[{"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/posts\/2153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/comments?post=2153"}],"version-history":[{"count":7,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/posts\/2153\/revisions"}],"predecessor-version":[{"id":3243,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/posts\/2153\/revisions\/3243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/media\/2154"}],"wp:attachment":[{"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/media?parent=2153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/categories?post=2153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/floriantippe.de\/en\/wp-json\/wp\/v2\/tags?post=2153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}