The second part of Isabel Mohn’s piece “Be sombody else” premiered at the Théâtre Prospero in Montreal, Quebec. The music I composed constantly shifts between sounds, noise and music. For example, I used a recording of sombody breathing and gradually filtered a melody with four-part harmonization out of it using solely an equalizer. Or the other way round: I gradually filtered all the tonal elements out of a music recording, ending up with only sound and noise.